Money & Markets

Van Gogh Seen Fetching $180 Million at Sotheby's, Despite Dark Provenance

Sotheby's pegs a Van Gogh at $180m for Wednesday's New York sale of the Blaquier-Arrieta collection, funded by a sugar dynasty linked to Argentina's Night of the Blackout.

By Nathan Brooks

4 min read

Masterpieces haunted by brutal past could send records tumbling at Sotheby’s
Masterpieces haunted by brutal past could send records tumbling at Sotheby’sart_muse / pixabay

What's News

  • Sotheby's estimates Van Gogh's Châtaigniers en fleurs 'in the region of $180m', against the artist's $117m record
  • Twelve works from the Blaquier-Arrieta collection sell in New York on Wednesday
  • About 400 people, mostly Ledesma unionists, were seized on the Night of the Blackout in July 1976; up to 55 remain missing
  • Blaquier was charged in 2012 over 29 cases of unlawful detention but died in 2023 before trial
  • Cézanne's Arlequin may also set an artist record

Sotheby's expects Van Gogh's Châtaigniers en fleurs to sell "in the region of $180m" (£136m) at its New York auction on Wednesday — a figure that would smash the artist's current auction record of $117m by more than $60 million.

Twelve rarely seen masterpieces from the Blaquier-Arrieta collection go under the hammer in a sale Sotheby's has titled "Legendary." The lineup reads like a miniature Courtauld Gallery: Van Gogh's towering chestnut tree, Monet's shimmering vista of the Tuileries, André Derain's fauvist Boats at the Port of Collioure (Lot 2), and Paul Cézanne's Arlequin — a portrait of his son in a red-and-black diamond-patterned costume whose angularity pushes toward abstraction and, by common account, must have inspired Picasso's Harlequins.

A wealthy Argentinian couple acquired most of these canvases in the 1970s. Old photographs show them hanging not in a museum but in the couple's Buenos Aires apartment — works you'd expect behind institutional glass.

Where did the money come from?

Sugar. Carlos Pedro Blaquier headed the Ledesma sugar company, and that's where the collection's provenance turns dark. Blaquier was suspected of involvement in the "disappearance" of hundreds of people in the Jujuy region on one July night in 1976, known as the Night of the Blackout. The local electricity, under Ledesma's control, cut out — allowing arrests to be made in darkness.

Witnesses described people being carried off in Ledesma's company vans. Survivors testified they were held and tortured on company premises. According to the European Center for Constitutional and Human Rights, most of the roughly 400 people seized that night were trade unionists who worked for Ledesma. Up to 55 are still missing, presumed murdered.

The atrocity was one of many committed across Argentina between 1976 and 1983 under the military dictatorship.

What happened to the case against Blaquier?

Charges finally came in 2012, when Blaquier was 85. Prosecutors accused him of "being the main participant in 29 cases of unlawful detention." He never faced trial. Legal appeals delayed proceedings until his death in 2023, aged 95.

Sotheby's promotional material makes no mention of this history, though it's all in the public domain.

"We are of course aware of the reports concerning Carlos Pedro Blaquier," a Sotheby's spokesperson said. "He was never actually convicted of a crime; in fact, he maintained his innocence throughout, stating he had no knowledge that his company's resources were being used to facilitate illegal activity. Naturally, we defer to the courts and the legal process on matters like this … we do not believe they detract from the quality or significance of the artworks themselves."

Can the Van Gogh really hit $180 million?

Quite possibly — and here's why it matters for anyone tracking the top of the art market. Châtaigniers en fleurs is not among Van Gogh's most famous paintings, yet it no longer needs to be. The market for his work has widened to the point where even lesser-known canvases command megabucks. Per the pre-sale estimate, this single painting would fetch roughly 50% more than the artist's existing record.

The canvas itself is a captivatingly melancholic masterpiece. It depicts a voluptuous, windswept street in Auvers-sur-Oise, where Van Gogh moved in 1890 after leaving the asylum. Look harder and everything is slightly off-kilter — the yellow road, the deep blue sky, the immense tree dwarfing the people below it. A storm is coming. He shot himself a couple of months after finishing it.

Cézanne's Arlequin may also set a record price for the artist, according to pre-sale predictions.

What does this sale change?

For practitioners, the auction sets two precedents at once. It shows the top-end market will pay record sums for non-marquee Van Goghs — a benchmark every consignor will now cite. And it demonstrates that contested provenance, when the accused died without conviction, does not depress headline estimates. Sotheby's framing wins: the "legend" of the collection enters the history books while the allegations against Blaquier and Ledesma slip into footnotes.

The blood spilled on the Night of the Blackout haunts the sale regardless. You can see the bright reds, blues, greens and yellows in Derain's Collioure boats. You cannot see the up to 55 people taken that night in 1976 who have never been found. Let the bidding commence.

Source: theguardian.com

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Nathan Brooks

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News editor covering regulation, policy and their impact on entrepreneurship, startups and venture funding at Business Bearings.

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